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* SCREENWRITER OR SCRIPT. We are looking for a completed comedy short. Satire, Spoof, Screwball, or Buddy. No other styles. Or, a screenwriter who can write one based on our guidelines. Must have previous experience. Good pay. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* COMEDY SCRIPT WRITER - NEW YORK CITY. Weekly comedy series in NYC is looking for a sketch writer to join the room. The show covers sports, current events, and internet culture through character-driven sketches and sharp commentary. We need someone with a strong point of view who can pitch original ideas, write clean, funny scripts, and handle quick turnarounds. You’ll help shape weekly episodes, contribute short digital pieces, and adjust material based on notes and production needs. Improv or stand-up experience is a plus. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* ULB FEATURE SCRIPTS. I'm currently looking for completed feature scripts in these genres. Horror, RomCom, Christian, Thriller and Action to be produced on a very ultra low budget. I understand the budget is low, that's the point. This means not many locations and not a bunch of actors. Payment for script. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* ANY GENRE SHORTS. We are an independent film studio based in Kentucky. We are seeking short film scripts from writers who are serious about seeing their projects produced. High Concept - any genre. Payment TBD. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* EXPERIENCED ACTION/THRILLER SCREENWRITER NEEDED. Producer based in Sydney AU is developing an action/thriller feature set in Sydney and wants to bring on an experienced screenwriter to work on the first draft. A full outline is in place. He’ll be working closely with the writer.. Think grounded, character-first action in the space of Monkey Man, Upgrade, and The Equalizer. This is a serious development project, not a throwaway draft. ONLY writers with real action/thriller experience should reach out for details. Paid. ​SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SEEKING CONTEMPORARY ROM-COM DRAMA FEATURES. Producer looking for a contemporary romantic comedy-drama in the vein of The Worst Person in the World, 500 Days of Summer, or La La Land. Romantic story, grounded, character-driven, and not afraid of a bittersweet or sad ending. No other genres will be read. Open to reading scripts or connecting with a writer for development (only if you have romcom experience). 

​SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* 4-6 PAGE SHORTS. I am looking for a 4-6 page short screenplay to produce this year. I need something with a small (2-3 person) cast and 1-2 locations. Cast race and gender are open. Genres that I will accept: sci-fi, comedy, noir. Payment for script. ​SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* GROUNDED SCI-FI FEATURE SCRIPT WANTED. Our production team is seeking a low-budget sci-fi feature (under $500K) built for smart, efficient production. We’re drawn to contained or easily controlled locations, with tension  coming from character and concept rather than effects. Projects with a strong, layered female lead are a plus. Think The Vast of Night, Primer, or The Endless—grounded and idea-driven. Payment outright for script. ​SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

* NON UNION ACTION SCREENWRITER. I’m an award-winning producer and director based in Los Angeles. I’ve produced well over 20 feature films with notable talent and am currently looking for a serious new or emerging writer to develop an action-comedy feature. This is a low-pay opportunity, best suited for someone early in their career. ​SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* ARTHOUSE HORROR FEATURES. We’re currently looking specifically for arthouse horror projects. We’re looking for arthouse horror that’s unsettling for reasons beyond violence... stories that linger, get under the skin, and don’t rely on jump scares to do the work. ​SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* LOW-BUDGET HORROR FEATURE. Production company is seeking a low-budget horror feature with a strong female lead. Looking for a contained, character-driven concept that can be executed on a modest budget/ Think in the vein of The Babadook or Relic.

Only non-WGA submissions accepted. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* TRAVEL, ROAD TRIP FEATURE SCRIPTS. Looking for completed feature-length scripts in the travel genre, specifically road trip stories or return-home narratives. These should be grounded, slice-of-life stores where the journey drives character change and emotional movement. Scripts must be finished and include a pitch deck with logline, synopsis. Writers should have prior credits, ideally with an IMDb profile or comparable produced work in this space. No other genres will be accepted at this time. Payment. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* CHARACTER-DRIVEN DRAMA SHORTS. We’re looking for a 10–15 minute short scripts to fully produce this year. This is a lean-budget, story-first project. The script will receive full production support, including financing, assembling the creative team, and guiding the project through production and completion. We will only look at dramas, no other genres will be considered. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCREENWRITER WANTED FOR CRIME-DRAMA SCRIPT. We are seeking a writer for a dramatic, feature-length screenplay based on true crime. Please submit samples, outlines, or screenplays relevant to true crime or dramatic features. I am an award-winning producer and director, a member of the PGA, with over 20 years of experience in film, television, and commercials. This project is in development and based on true crime events with existing source material. We are looking for a writer to help outline the story and write the feature-length screenplay. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCI-FI YA FEATURE SCRIPT WANTED. Producer team is seeking a high-concept YA science-fiction feature that can be pitched in 30 seconds or less. Think The Vast of Night. The project should feature a teen lead, be dialogue-driven rather than action-heavy. Preference for contained stories, minimal visual effects. Budget wont exceed $750K. WGA and non-WGA submissions accepted. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCRIPTED DRAMA WRITER WANTED. Producer EW is seeking a writer for a scripted drama television series based on true events. This is a development role focused on helping shape the foundation of the series, including the overall concept, character arcs, long term story engine, and a detailed season one outline, followed by writing the pilot script. Payment will be negotiated. Erik has produced projects for multiple networks and streaming platforms, including Hulu, A and E, Peacock, Discovery, and Oxygen, and has also produced several feature films. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SEEKING WRITER FOR HIGH-CONCEPT SCI-FI PSYCHOLOGICAL THRILLER. DJG is seeking a writer to help develop a high-concept psychological sci-fi thriller into a feature film, series, and or book. The story follows a Tucson teenager who falls into a buried 1953 bunker and becomes biologically fused with alien technology, turning him into a living bridge between humanity and a hidden civilization that has existed among us for decades. Hidden-history mystery with grounded emotional weight, in the vein of The X-Files, District 9, Arrival, and The Leftovers. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* FEATURE MARTIAL ARTS FILM SEEKING EXPERIENCED WRITER. A Korean–American co-production is seeking an experienced script doctor for a feature-length martial arts action film scheduled to move into production in early 2017. The project is in active development, with a final shooting draft required by April, and the budget is open based on experience. We are looking for a writer with proven martial arts or action-driven storytelling credits, a strong grasp of Asian–American cultural themes, and the ability to write compelling male leads. This is a hands-on development role. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SEEKING COMING-OF-AGE FEATURE WITH FEMALE LEAD. Seeking a contained, character-driven coming-of-age feature centered on a strong 17-year-old female lead. The story should feel contemporary, grounded, and emotionally honest, with a clear point of view and an authentic teen voice. Light comedy or comedy-drama elements are welcome, but the emphasis should remain on character and relationships rather than broad humor. This is an indie project targeting a moderate budget , so scripts should be practical in scope, with limited locations, a manageable cast, and minimal production demands. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* COMEDY TV WRITERS WANTED (PAID). AF is seeking comedy writers to join a small writing team for a short 4–5 episode mini-series, with episodes running 3–5 minutes each. We’re looking for writers with strong comedy timing, character-driven instincts, and an offbeat or edgy sensibility who can jump in quickly as production is starting soon. This is a paid, with rates discussed upon selection. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* ROMANTIC-COMEDY FEATURE SCRIPT NEEDED. Seeking a romantic comedy feature to option with the tone of an Emily Henry novel, centered on two twenty-something leads, one male and one female. This should be grounded, contemporary storytelling with no supernatural or genre elements. The project is budgeted is in the low/moderate range and planned to shoot in the Midwest. Will pay an Option fee, then a buyout. NO OTHER GENRES WILL BE ACCEPTED. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* FEMALE SCREENWRITER NEEDED. Looking for a female writer, the story is about SISTERS. It’s based on my short film that will be turned into a feature script. Paid. Send links to work. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* INDIE DRAMA SHORT. Seeking a short, character-driven indie drama (5–12 pages) with a quiet tone and minimal dialogue, focused on internal conflict or a life crossroads. This is a micro-budget short shooting in Phoenix or the Southwest, limited to 1–2 real locations and 1–3 non-union actors. Compensation is negotiable.  Intended as a narrative short for festival submissions. Think grounded, reflective storytelling in the vein of The Secret Life of Walter Mitty or Into the Wild. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* ANIMATION SCREENWRITER REQUEST. We have a very specific request: Seeking ONLY New-Mexico (due to government tax incentives) screenwriters with CHILDREN'S ANIMATED series experience. Paid. JF worked in animation for notable projects such as The Simpsons, The Jetsons: The Movie, and more. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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​​* SHORT-FORM STORYTELLING WRITER. I’m hiring a scriptwriter who can create situational, relatable scripts for social media content across Reels, Shorts, and TikTok. I’m looking for someone who understands everyday moments, knows how to write strong, engaging hooks, and has a solid grasp of short-form storytelling. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* CALLING ALL UK WRITERS WITH SCRIPTS. Our slate is open. We are looking for drama, comedy, or children’s feature scripts. No other genres. We are currently accepting submissions exclusively from writers who are from the Midlands (UK) or who are currently based there. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCIENCE FICTION SCREENWRITER NEEDED. We’re looking for a strong writer to join a small, hands-on team developing an original science fiction film. This is a paid role, with compensation starting at upwards of $5,000+ per month, depending on experience and scope. The work is creative and collaborative, focused on building story from the ground up. That includes shaping the concept, structuring the screenplay, developing characters, and writing dialogue that connects across cultures and markets. You’ll be working closely with producers and directors, moving quickly through notes and revisions as the project evolves. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SEEKING SCREENWRITER – SUPERHERO FEATURE PROJECT. An animation production team is seeking a paid screenwriter to assist in developing an original superhero feature film. The project is action-driven with strong dramatic elements, and the writer will help shape action sequences, character arcs, and story structure, with the possibility of joining the core writing team based on performance. To apply, please submit a few pages of a superhero action scene, along with relevant experience, credits, and/or links to past work. Payment is split into two installments, half upon start and half upon final delivery. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* BRITISH SCREENWRITER. Director-Writer based in London seeks a British screenwriter (native). This is for a legal thriller film. Must have experience on this subject matter and be British. Payment will be discussed with shortlisted writers. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

* TRUE CRIME DOCUMENTARY SCREENWRITER. Seeking an experienced YouTube documentary scriptwriter for long form mystery and true crime content. This role involves writing one to two documentary scripts per week, turning outlines and research into strong narrative arcs built for retention. The ideal writer understands pacing, tension, reveals, and escalation, and knows how to keep viewers engaged minute to minute. Candidates should have at least two years of experience writing long form YouTube documentaries in the mystery, true crime, or internet story space, with a clear grasp of retention analytics, viewer behavior, and how to balance information, emotion, and momentum. Payment TBD. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

* WEB-SERIES SCRIPTS. Known international company is stepping into web series production and is seeking original scripts created specifically for the web. This is not for traditional TV or recycled OTT concepts. They are looking for binge driven series with strong hooks, memorable characters, and ideas that feel fresh in the digital space. All genres are welcome, but generic pitches will not be considered. Submissions should be script-ready and MUST include a script bible, pitch deck, or detailed outline. Be sure to include the genre and tone, a one sentence logline, three key characters, why this story needs to exist. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* CONTAINED FEATURE SCRIPT. Award-winning filmmaker (Cannes Lion, Clio, One Show) currently seeking a contained, micro-budget feature script. Payment TBD. Accepted genres only: horror, survival thriller or drama. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SEEKING SCREENWRITERS – SHORT-FORM DRAMA SERIES (PAID). An original short-form drama platform, is seeking experienced screenwriters for a paid, full-time position writing mobile-first dramatic series. Writers should have a strong command of short-form storytelling, emotional hooks, and episodic cliffhangers, with experience in drama or digital series preferred. Responsibilities include writing and revising short-form scripts, developing engaging episodic structures, collaborating with the creative team. Compensation is competitive and based on experience, with details shared with shortlisted candidates. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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* SEEKING CHARACTER-DRIVEN DRAMA FEATURE SCRIPT. Seeking a PG-13 drama story that’s warm but carries an edge. The project should be contained, with few locations and a small cast. This is a non-WGA, paid assignment under WGA scale, with an $800,000 budget. I have DP'd over 60 films, as well as working on projects in different capacities such as There's Something About Mary (1998), But I'm a Cheerleader (1999). 

SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCREENWRITER TO JOIN TEAM. I’m expanding my creative team for several upcoming film projects and seeking a small group of screenwriters to help advance the preproduction process. Compensation will be discussed on a project-by-project basis. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* HEAD OF STORY DEVELOPMENT. The award-winning global kids and family entertainment company behind some of the most popular shows is seeking a Head of Development to lead its creative slate across original and IP-driven content. Based full time in Los Angeles, this role oversees development from script and concept through greenlight, balancing creative leadership with operational execution while working closely with production, franchise, distribution, and marketing teams to deliver globally impactful kids’ content. FULLY PAID. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* BLOODY HORROR FEATURE SCRIPT. Production company seeking a horror feature screenplay that leans hard into gore and blood, with no restraint on visceral set pieces. Target budget is under $500,000. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

SCI-FI SHORT SCRIPTS. We’re expanding our creative pipeline and currently exploring original SHORT SCI-FI scripts and story concepts that can be adapted to our network/shows. We will accept: Sci-fi, Mythology, Futuristic, Dystopian World. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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COMEDY SCREENWRITER. Looking for comedy writers for a feature film, think “Early 2000’s”, “Adam Sandler movies,” vibes. AJP's last movie is now on major VOD platforms. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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ATMOSPHERIC SCREENWRITER. I’m a low budget NYC filmmaker who has previous features in a documentary style fiction. I’m trying to connect with screenwriters who write less conventional more atmospheric realism dramas. Similar to a Haneke, Cristi Puiu, Tsai Ming Liang, etc. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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MEDICAL DRAMA SCREENWRITER. Looking for a screenwriter for a medical drama based on my 35 years as a cardiac surgeon. Personal project. Payment to be discussed. This would be PILOT. Combination of "The Pitt" and "Suits". Those with medical drama writing experience preferred. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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FAMILY/COLLEGE/ROMANCE DRAMA FEATURE SCRIPT. We are looking for a writer with completed script for a feature film. Only genre: Patriotism, Family Drama, College Drama, Young Romance. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

FAITH-BASED/CHRISTIAN SCREENWRITER NEEDED. We have a unique script we got the rights for from a writer. It needs a script doctor. The writer must have at least 1 produced Christian film as a writer. Not a short, but a feature or TV. Writer must understand the genre/faith portion. Payment based on experience. We have hired writers through SS before. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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DARK COMEDY SPIN - SHORT. I'm seeking a script for a really unique opportunity. I've been partnered with a composer to create a ~5 minute film where the score will be performed live by an orchestra during the screening. My composer's strengths are dark, video game like tracks similar to Halo and Final Fantasy. So... I'm on the hunt for a short 10 pages or less script that is a dark comedy spin in a video game type world. My initial instincts are a dark version of Scott Pilgrim vs The World or Free Guy. But open to hearing thoughts in the realm of this world. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER NEEDED (DIRECTOR-LED, CONTAINED PSYCHOLOGICAL FEATURE). SP is seeking a screenwriter to execute a single, contained psychological feature that’s already locked in concept, with the story engine, thematic rules, and perceptual logic defined. It’s a grounded, near-present love story built on subtle perceptual misalignment, prioritizing restraint, visual storytelling, and behavioral truth over exposition, high-concept hooks, or genre-forward elements. The writer will collaborate closely with the director and co-director to draft and refine the screenplay, translating internal psychology into external behavior and revising for clarity, consequence, and economy. Payment TBD. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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LOW-BUDGET HORROR/THRILLER SCRIPTS. Our production company is actively looking for written horror scripts to add to our slate. Horror. Phycological Horror. Horror/Thriller. No Slashers. Around $500K budget. Script will be directed by an iconic cult classic director.

SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCRIPT WRITERS FOR CREATIVE AGENCY. I’m looking to hire two scriptwriters for my agency. You must be able to write any type of script and adapt to our specific style, since the content we produce has a distinct approach. Please send proof of your work, demos, and examples of previous client projects. Compensation will be paid monthly and will depend on your skill level. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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FAITH/FAMILY-BASED SHORT SCRIPTS. We are seeking family-friendly and faith-based short scripts for consideration in our 2026 production slate. We will also be submitting to major family/faith film festivals. Preferably limited cast/locations. Budget TBD. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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ELEVATED HORROR FEATURE WANTED. Beverly Hills-based seeking an elevated horror feature script on behalf of an established actor with decades of industry experience who is transitioning into directing. Please note: the actor’s identity is confidential at this stage. Payment price negotiable. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITERS WHO UNDERSTAND TRUE CRIME. We’re a fast-growing production team creating gripping investigative video content focused on real cases, law enforcement encounters, and criminal psychology. We’re looking for writers who can turn verified research into cinematic, tension-driven scripts and collaborate closely with producers on tone and accuracy. Applicants should have experience in true crime or investigative storytelling, be comfortable with dark or sensitive material, and understand writing for YouTube or visual formats. Familiarity with police reports and bodycam footage is a major plus. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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FEMALE-DRIVEN SHORT. Seeking a powerful, female-driven short film script designed for the international festival circuit. We’re interested in stories that feel bold, artistic, and FEMALE CENTRIC. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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COMEDY OR SUSPENSE FEATURE SEARCH. Seeking a feature-length Vertical Microdrama in SCI-FI as the top priority. Open to COMEDY, SUSPENSE, and select sexy ROM-COM concepts. This project must center on 2 women ages 40 to 50 as the leads, with no more than 10 supporting roles ages 21 to 60 who fit the tone and style of the vertical space. No gratuitous sex scenes or nudity. Think elevated soap-opera feel. Ideal stories unfold over 1 day or night and use 3 or fewer locations. Writers must understand true Vertical Microdrama structure. Episodes run 1 to 3 minutes each, with cliffhangers at the end of every installment. Expect 50 to 60 episodes, totaling roughly 85 to 90 pages. Payment for script. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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COMEDY-DRAMA SCREENWRITER WANTED. Hiring comedy–drama writers for a paid development project. We’re looking for writers with TV, film, or digital scripted experience who can write humor Responsibilities include character and story development, outlining, beat sheets, scene work, full drafts, and occasional Zoom meetings. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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1 LOCATION FEATURE SCRIPTS. I’m a director and producer looking for limited location feature film scripts. Minimal characters. We are also interested in  checking outplays that we can adapt to screen. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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MICRO-BUDGET FEATURES. We are currently looking for a microbudget thriller, horror or comedy to direct and produce. Over the years, my work has been nominated for both Promax and Emmy Awards. Payment for script negotiable. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER FOR ZOMBIE FILM. I’m looking for a screenwriter that can help me write the screenplay for my next feature, which is going to be a zombie comedy. I’ll be planning to start writing in January. The script will be filming in Louisiana. Payment negotiable. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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DRAMA FEATURE SCRIPT. Seeking a drama feature script that can be produced on a moderate budget. Ideally something strong for the festival circuit (Sundance, SXSW) or appealing to streamers. Preferably a story driven by a female lead. Think along the lines of Wild or Three Billboards Outside Ebbing, Missouri. Payment for script. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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INDIE FEATURE SCRIPT BASED IN LA. I'm a low-budget independent actor and producer. If you’ve got a feature-length screenplay that can be shot entirely in Los Angeles or nearby, we are interested. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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FREELANCE VERTICAL SCREENWRITERS. We are seeking freelance writers to craft elevated short-form vertical stories. We’re interested in strong characters, compelling relationships, and fresh spins on familiar tropes across a range of genres, including edgy rom coms, mystery thriller detective stories, Black Mirror style sci fi, horror comedies, friendship comedies, romantic action thrillers, and romantic supernatural fantasy dramas in the vein of True Blood. I have directed 100+ episodes with original titles. My work can be seen on Netflix and HBO. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITERS FOR VERTICALS. I’ve got a former producing partner who’s very interested in the vertical space, and we’re looking to team up with a screenwriter who: Knows vertical-style storytelling. Has produced credits under their belt. Can collaborate. We've worked with SS writers before. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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FEATURE HORROR SCRIPTS WANTED. Vancouver production company seeking Canadian-based, non-union writers for feature-length horror. Women written stories strongly welcomed. Looking for original, character-driven, market-ready scripts (75–110 pages) in spaces such as psychological horror, supernatural, female-led horror, thrillers with horror elements, found footage, slasher, creature, or contained projects.

SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCRIPT ANALYST WANTED — PAID. I’m looking for a script analyst who has real experience breaking down scripts and providing development-focused, creative style notes. This job requires 10 pages of notes on a romantic comedy. I’ve already worked with three studio analysts on earlier drafts, all of whom were helpful. I’m now looking for an additional viewpoint to strengthen the project even further. Paid position. Must have experience. I work professionally as an Emmy award winning TV editor and sometime director (DGA) and have considerable amount of known credits. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SEEKING NEW FEATURE SCRIPTS: MOST GENRES WELCOMED. I am an independent film financier and executive producer looking for new feature projects to develop. I’m currently producing a horror thriller with Orwo Studios and lining up my next film. I’m especially drawn to (and only accepting these at the moment): period pieces, motorsport and racing, WWII, political thrillers, horror, mafia crime dramas, and action adventure or espionage stories. 

SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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BASEBALL-THEMED SCREENPLAYS. 2 production companies collaborating are looking for original baseball themed screenplays for production consideration. We are especially drawn to stories that capture the spirit of The Goonies and The Sandlot, along with nostalgia, adventure, and genuine camaraderie. Scripts centered on youth baseball, friendship, and strong community dynamics are a priority. Material must be suitable for a wide audience. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. ​​​

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SCREENWRITER FOR EDGY THRILLER. I’m an indie filmmaker based in Southeast Asia. My last short won the World Panorama Award in Italy, and my new feature is now in post with a BAFTA winning lead. I’m looking for a committed co writer to help develop a lean, edgy thriller set in Cambodia. You must be comfortable with dark themes, real microbudget filmmaking, and have visited Southeast Asia. Paid. I have hired a writer through SS before. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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CHILLING, BUDGET FRIENDLY SCRIPTS WANTED. An international studio is looking for original, concept driven horror and thriller feature scripts that can be made on a lean budget with minimal locations. This is a solid opportunity for emerging writers who know how to deliver original  ideas without relying on big sets. If you have a chilling story that fits these parameters, we would like to read it. Payment for script. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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COMMERICAL SCRIPT WRITER NEEDED. Looking for a writer for a commercial-advertisement for a reputable brand. Looking for exceptional concepts. Decent budget. 

SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER FOR ADAPTATION. Looking to partner with a screenwriter to adapt a recently optioned autobiography about a true American NASCAR stock car legend. The project is a period piece filled with flashbacks, set mainly in the mid 1980s and reaching back to the 1950s across the American heartland. The tone leans into Southern rock, with gas, grit, and faith at the core of the story. WGA scale upon production. AS is known for his work as an assistant director on major projects including Mr. and Mrs. Smith, The Usual Suspects, and many others. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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1-2 LOCATION FEATURE SCRIPTS. We are looking for our next feature and are open to all genres, though our past projects have leaned toward horror. We’re aiming for scripts that can be shot in one or two locations and do not require special effects. We can't accept anything else.  SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SHORT SCRIPTS NEEDED. RBC is looking for seven strong short scripts to produce in May 2026. They need character-driven stories that run five to seven pages, feature three to four actors with balanced screen time, and can be shot in one or two locations on a limited budget. Genre is open as long as the concept is achievable. Ideal character ages are eighteen to twenty five. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

 

​SCREENPLAY CONSULTANT NEEDED. Our company in Dallas is looking to commission a writer who is based in Texas or someone who has spent extensive time in the state. This project needs a writer who understands the region, the lifestyle, the slang, and the local rhythm of everyday speech. The work involves dialogue and plot editing. This is a paid job. Starts soon. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER FOR YEAR-LONG PROJECTS. RP is looking for writers to join their team for a year-long engagement, with exact dates adjusted as projects evolve and contracts are finalized. They’re offering is 5,000 per month, with the final amount based on your creative input and the stage of development. We make independent films. The role involves developing full film scripts from concept through completion, including plot work, character building, and dialogue. The ideal writer can originate ideas, shape projects that appeal to both creative and market needs, and work closely with directors and producers. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SHORT SCRIPT NEEDED. European filmmaker is looking for a comedy, romcom, or dramedy short for a film that will be submitted to festivals. Full IMDb credit and payment for script/writer. If you have something that fits, we’d love to take a look. No other genres or formats. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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FEMALE LED FEATURE COMEDY SCRIPT WANTED. We’re looking to fast tracking a new project into production and are looking for a completed comedy script with a strong female ensemble and great characters. Think along the lines of Bridesmaids, with humor rooted in real emotion. Budget open. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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EXEC ROLE FOR DOC STORYTELLERS. In partnership with Amazon Prime Video, is offering a step-up Executive Producer opportunity. This role suits a Junior Exec, Series Producer, or Series Editor ready to advance. Candidates should have a strong background in non scripted documentary work and a solid sense of story craft. The selected candidate will help shape unscripted documentary projects from development through delivery, guide narrative decisions, manage teams, support budget and schedule needs, ensure compliance, and work directly with commissioning editors. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENPLAYS THAT CAPTURE THE SPIRIT OF MINNESOTA. I am seeking feature length scripts to produce that embody Minnesota positively. I’d love to be Twin Cities focused but open to anything that represents MN in a good light! Send pitch decks/synopsis. Buyout. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER FOR SUREAL DRAMA. Looking for a screenwriter for The Photograph, a  surreal drama about memory and family. The story follows a woman unpacking her family’s past through one deeply personal conversation with her girlfriend. Seeking a writer with a strong ear for grounded, emotionally layered dialogue and a feel for nonlinear storytelling. Payment TBD. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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FOUND-FOOTAGE HORROR SCRIPT. I’m an award-winning director and producer looking to work with a writer who has a horror project suited for the found-footage style. I’m open to both short scripts (5–30 pages) and contained features (80–100 pages) that can be shot on a modest budget. I’m especially interested in stories that rely on practical effects, a small cast, and limited locations to build tension and authenticity. I’m based in Canada and can offer payment, though the budget is on the lower side. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER FOR WESTRN. Early-development feature God’s Country seeks a distinctive writer for a contained, female-led Western set on the Nebraska frontier in 1883. When her preacher husband departs, a repressed wife and her daughter are drawn to a mysterious stranger, awakening desire and betrayal. Tone evokes The Power of the Dog and The Beguiled. Produced by a USC Peter Stark alum and former Harvard Lampoon VP. Pay based on experience. Writers with festival or short film credits encouraged to apply. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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COMEDY FEATURE SCRIPTS WANTED. We are searching for completed feature comedies with a clear hook and strong character leads. Smart comedy, slapstick, or horror comedy are all welcome. It must be a comedy at its core. Fewer locations preferred. Please note any contest or festival placements in your email. Think the following: Game Night, The Nice Guys, Shaun of the Dead, Palm Springs, Hot Fuzz. Up to 4 million. Open to WGA and non WGA writers. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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VERTICAL SCREENWRITERS WANTED. WTPF is seeking freelance vertical writers and creative producers to develop short-form vertical stories for its micro drama division. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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NOIR/GRITTY SHORTS. Filmmaker looking to produce a low-budget short. Specifically Noir or something Gritty. Other types of styles won't be prioritized at the moment. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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LOW-BUDGET FEATURE WANTED. Atlanta-based filmmaker is looking for A low-budget script to produce ASAP. Horror and thriller are his favorites. Think Black Phone, but all genres are welcome if they can be made on a low budget. If the writer or story is set in Atlanta, even better. This is for VOD, think Tubi. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER FOR INDIE FILM. NYC Producer is hiring a screenwriter for Solace, an emotionally complex, character driven indie drama targeting a budget of two to two and a half million. This is a one off assignment, timing negotiable, with pay in the range of five to ten thousand dollars based on experience and credits. Duties include drafting an original feature from an existing treatment, close collaboration with the producer, remote meetings, a notes and revision process, and delivery of two to three polished drafts. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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DIRECTOR SEEKING NEXT FEATURE SCREENPLAY. Director looking for a simple, character driven script to follow his latest festival project. He’s drawn to stories with emotional honesty and  actor focused writing. Influences include Five Easy Pieces, The Last Picture Show, One Flew Over the Cuckoo’s Nest, Festen, Bicycle Thieves, and Paris, Texas. Scripts should be modest in scope but rich in insight and performance potential. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCRIPT READERS WANTED. NIS is hiring experienced script readers for scripted and non-scripted projects. Readers will assess scripts, treatments, and short synopses using the organization’s report template, with a five-day turnaround. Applicants must have at least two years of professional experience reading for production companies, financiers, distributors, or broadcasters, along with strong knowledge of the Irish film and television industry. Script editing experience and familiarity with Northern Ireland’s film and TV landscape are preferred. Paid position. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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COMEDY FEATURE SCREENWRITER WANTED. Confidential project. Looking for a skilled comedy writer to co-write a romantic comedy feature now in development. The project has an A-list actor and producer attached and is geared toward a studio-level release. Looking for writing that’s funny and honest, with real emotion behind the laughs. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

HIRING: LA-BASED SCREENWRITER – 3-PART BIOPIC (PAID). We’re seeking an experienced Los Angeles-based screenwriter to rework Episode 2 of a 3-part biopic series, with each episode running about 60 minutes. Episodes 1 and 3 are complete, but Episode 2 needs significant rewriting to better align with the creative vision. The focus is a romantic storyline that requires emotional depth, honesty, and a touch of wit — not rom-com style, but genuine and grounded. Writers should have a strong grasp of character-driven drama and experience handling real-life subjects. Collaboration is key, as you’ll work closely with producers to ensure tone and story consistency across all episodes and respond to notes as needed. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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HORROR SCRIPTS WANTED. Philly-based producer/director seeking a grounded horror or narrative feature to develop. Looking for contained stories, ideally one location, like a single house, with strong dialogue and atmosphere over effects. Prefer minimal VFX, few locations, and simple, achievable setups. Interested in suburban settings, memorable antagonists, occult or alien elements, and artist/musician characters. Stylistic influences include David Lynch and Ari Aster. Open to both complete and in-progress scripts, as well as short films and character-driven dramas. These are paid opportunities, either script purchases or paid writing assignments.  SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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HIGH-CONCEPT INVASION THRILLER. Producer/Director seeking a low-budget, high-concept home invasion thriller. Think Panic Room or Don’t Breathe. The script should take place in one primary location with only a few characters. The concept needs to be strong enough to drive the entire film: immediate, visual, and universal. The audience should understand the stakes within seconds. If you have a tight, marketable home invasion script that fits this model, send query letter/pitch materials. Payment for script. We have produced scripts through SS that are now on VOD. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER FOR PROJECT. Looking for a screenwriter for an estimated 3–6 month project, with potential to extend longer. Payment is negotiable. The initial task involves converting a completed 105-page Word script into Final Draft 13 format (around 115 pages). The role could expand depending on performance and fit. Applicants should submit a CV or résumé, LinkedIn profile (if available), and an estimated cost for the conversion. I have 40 years of part-time experience in film, currently working with a two-time Oscar winner and other top talent. I’m currently traveling and tied up with other projects, so I need someone to handle the Final Draft work professionally and efficiently.

 SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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INVESTOR SEEKING ORIGINAL LOW-BUDGET PROJECTS WITH TRAILERS. I’m only interested in short or feature films that already have a trailer or teaser. I don’t consider projects that are still in earlier stages. I invest exclusively in low-budget features or short films that are original and truly impactful. If your project doesn’t meet those criteria, please don’t reach out. I’ve already received a wide range of proposals with varying budgets, and a few of them have really impressed me.​

 

FEATURE SCRIPTS THAN CAN BE FILMED IN ASIA ($2MM). We are looking for feature film scripts set anywhere in Asia that feature a strong Asian female lead. The production budget for each project will be capped at $2 million. We are accepting submissions in the thriller, action, and adventure genres only. Comparable films include The Villainess, Anna, and The Raid 2. Compensation to be determined. We have worked with Screenwriting Staffing writers before. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER TO ADAPT BOOK. NJP is looking to commission a playwright or screenwriter to adapt a book. Please send samples, just a few pages, as well as credentials. Company is based in London, but the writer can work remotely. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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DRAMDY SCREENWRITERS FOR SHOW ON VOD. Our show is currently streaming on VOD. Now hiring writers for our award-winning dramedy series. This grounded, conversation-starting series explores love, ego, and growth through a bold Black lens. A four-person writers’ room is being formed for a 4-week commitment that includes 4 Zoom sessions and 2 in-person sessions. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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NOW ACCEPTING SUBMISSIONS (TV & FILM). International company is now accepting feature and TV script submissions for development. We’re looking for features and TV pilots (30 or 60 minutes) in any genre, aimed at the Canadian market or suitable for international co-productions. Priority will be given to emerging writers, especially those unsigned or newly represented. We welcome feature scripts (90–120 pages), 1-hour pilots (45–63 pages), and half-hour pilots (22–30 pages).We’re especially drawn to character-driven stories with strong emotion, a unique hook, and clear audience appeal. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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COMEDY SHORT. South African Filmmaker based in Atlanta of multiple short films is seeking a new comedy short script to take to festivals. Must be under 5 pages, with limited characters and locations — ideal for a shoestring budget production. 

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SHORTS CENTERED ON MUSIC. Seeking short film scripts focused on a musician or singer (drama or romance only). Paid. Ns has worked with talent such as: Patrick Fabian, Emma Roberts, & Amir El-Masry. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SEEKING FAITH-BASED COMEDY FEATURE. We are seeking a Christian feature screenplay that can be produced for $500,000 or less. The story should lean toward comedy with faith-driven themes, ideally set in contained locations such as a church, small town, or single household. No animals or heavy production elements. The tone should blend humor with heartfelt Christian values, delivering light entertainment alongside meaningful uplift. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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EPISODIC SCREENWRITERS WANTED. We’re seeking writers for a new mobile-first platform specializing in serialized romance fiction. Stories are delivered in short, bingeable episodes (250–500 words) packed with cliffhangers, banter, and swoon-worthy drama. Writers should be able to create fast-paced, intimate mini-scenes that hook readers instantly. To be considered, submit a one-page concept with logline, key characters, and tropes, plus 5–7 sample episodes showcasing your voice and cliffhanger instincts. Scripts selected for launch will expand into full serialized stories (15–20K words). Flat fees range from $3,000 depending on placement. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

SCREENWRITER FOR SCRIPT. Seeking a writer to create 4–6 original monologues (30 seconds–2 minutes) for a 40-minute short film/music album. The project is personal and performance-driven with a dramatic, emotional tone; at least one live session to discuss story and style. Timeline is 1–2 weeks with revisions until final drafts are approved. This is a straightforward assignment. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

SCREENWRITER FOR VERTICAL DRAMAS. Seeking writers to craft original, genre-driven stories for short-form, serialized vertical video. Responsibilities include developing concepts, loglines, beat sheets, and 1–2 minute scripts with strong hooks, character momentum, and cliffhangers, while collaborating with editors to refine drafts. Note: this company is not a WGA signatory; WGA members should follow Guild rules. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.  

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ROMANTIC-COMEDY SCRIPTS. BWM is seeking original romantic comedy scripts designed for a younger audience. Only rom-com material will be reviewed for entertainment purposes. Writers with fantasy-driven rom-com scripts are especially encouraged to share their work. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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HIRING: WRITERS FOR TOP ANIMATED CHANNEL. A hit channel with 15M+ views per video, is seeking experienced writers to craft first-person teen and young adult narratives. This is remote, ongoing work with competitive per-script rates and long-term collaboration. Writers should have at least 2 years in screenwriting or digital content, a strong portfolio showcasing authentic dialogue and emotional storytelling, and the ability to deliver 2–4 scripts per month. Success in this role means turning real experiences into compelling 20+ minute scripts, nailing authentic youth voices, hooking viewers in the first 15 seconds, and understanding YouTube retention and engagement. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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CRIME OR MYSTERY FEATURE SCRIPTS. We’re seeking completed, feature-length crime or mystery scripts in the $1–2 million budget range. The project will be backed by multiple investors currently in place. We’re especially interested in material that is smart, character-driven, and commercially viable within the moderate-budget indie space. Think Brick (stylized mystery that proved high concept can thrive on a modest budget) and Blue Ruin (low-to-mid budget thriller with festival/critical acclaim and strong distribution). SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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FEMALE-LED COMEDY NEEDS WRITER. We’re fast-tracking a project into production and need a writer for immediate revisions. The script is a female ensemble with comedy  and layered subtext. While we’re open to all writers, we’re especially interested in female writers who can bring authenticity to the voices and humor. Prior experience and credits are required. Compensation will be discussed. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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MICRO-DRAMA SCREENWRITERS WANTED. NS seeks vertical screenwriters. We create short-form, cinematic stories for a mobile-first audience. Paid. With views ranging from 100K to millions, this can add up quickly, no other streamer offers this. Stories should feature a clear character arc and include a positive social element (e.g., rescue animals, Red Cross, foster care, community work). SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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CALL FOR SCREENPLAYS & SCREENWRITERS. Our company is developing a slate of ultra low budget projects and looking for screenplays from emerging writers. This is a chance to have your work produced and distributed, as we just did (distribution just announced in Deadline) and another film starring Dermot Mulroney. We are most interested in contained horror, thriller, and sci fi ideas with strong hooks, small casts (2–5 leads), and real world locations. Think Paranormal Activity, Coherence, or It’s What’s Inside. We also welcome writers who want to join us early in the process to shape new ideas for the ULB model. Both produced and unproduced writers are encouraged to submit, WGA or non WGA, from North America or abroad. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCRIPT EDITOR FOR MAJOR TV SERIES. Emmy award-winning production company is hiring a Script Editor or Script Executive for a major TV drama series, based in London or Cardiff, with relocation to Cardiff during production. The role runs now through Q3 2026 and involves supporting writers and producers with script development, research, notes, proofreading, issuing amendments, and liaising with departments and partners. The Script Executive takes on senior duties, including overseeing schedules, developing strong relationships with writers, and providing high-level creative input. Applicants should have prior experience in scripted development or production, be passionate about drama, and be available for the full production period. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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UNSETTLING HORROR FEATURE SCRIPTS. International company searching for their next spine-chilling horror feature script. Pure horror: relentless, unsettling, and designed to keep you on the edge of your seat. Payment TBD.  SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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VERTICAL DRAMA WRITERS, NON UNION. We’re looking for experienced writers to craft vertical drama projects. These are fast-paced, short-form episodes (1–1.5 minutes each) designed to hook viewers with strong characters, cliffhanger arcs, and visual-first storytelling. Writers should have proven experience in serialized drama, a solid grasp of episodic structure, and the ability to deliver under deadlines while collaborating with producers. Prior work in mobile-first or short-form platforms is preferred, and an interest in romance is a plus. This is a freelance, non-union opportunity with competitive pay.

 

DRAMADY SCRIPTS - FILM/TV. I’m currently seeking scripts or concepts for potential future movies or TV shows that fall under the dramady genre. No other genres.. These will be presented to Ukrainian producers. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SEEKING FEATURE SCRIPT ABOUT A REFORMED INMATE. We are looking for a feature screenplay centered on the story of a reformed inmate. A male actor (B-list) is already attached for the lead role, and he can convincingly portray a character aged 24 to early 40s. Budget is open. We are accepting submissions from both WGA and non-WGA writers. Preferred genres are drama, though we will also consider edgy comedy and suspense. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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ULB HORROR FEATURE SCRIPT. I’m a produced filmmaker looking to step into the horror genre and am seeking an ultra-low budget feature screenplay with a very limited cast and contained locations. Ideally, the story would work with one to three characters and simple settings such as a house or accessible public spaces. I’m open to a range of horror subgenres, including experimental and atmospheric pieces, as long as they can be produced on a minimal scale. Reasonable payment for script.  SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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FEATURE SCRIPTS IN SPANISH. If you have a small cast, 2-3 locations low budget feature Spanish script, we are looking for your stories; we'd love to see the longlines and synopsis. We will be shooting it in Spain near Madrid. Excellent actors in the area but only Spanish-speaking. Director is Mexican from LA. We have worked with SS writers before. Payment for chosen script. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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COMEDY SITCOM SCREENWRITERS WANTED.  Award-winning company is on the hunt for funny voices (screenwriters) across film and TV — especially those with a Welsh connection or based in Wales. Whether it’s sitcom, sketch or dramedy. Please send samples and experience. PAID. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SCREENWRITER FOR FILM, TV & DIGITAL – REMOTE. We are an international entertainment company looking for a talented screenwriter to join our team on a paid, remote basis. The ideal candidate will have strong English skills (B2+ or higher), practical experience writing scripts for film, television, shows, or digital platforms, and a solid understanding of long-form story structure. Creativity and strong communication skills are essential. Our projects reach audiences worldwide across film, streaming, and immersive audio content, offering the opportunity to contribute to stories seen and heard by millions. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.
 

ISO COMPLETED MICRODRAMAS. I am an Emmy-Nominated Director. Do you have a completed microdrama ready? I may have a buyer interested in licensing one. The work must be in English, fully rights cleared, and preferably unreleased. It has to be written and designed as a microdrama, not a feature that’s been cut down. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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