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* FREELANCE VERTICAL SCREENWRITERS. We are seeking freelance writers to craft elevated short-form vertical stories. We’re interested in strong characters, compelling relationships, and fresh spins on familiar tropes across a range of genres, including edgy rom coms, mystery thriller detective stories, Black Mirror style sci fi, horror comedies, friendship comedies, romantic action thrillers, and romantic supernatural fantasy dramas in the vein of True Blood. I have directed 100+ episodes with original titles. My work can be seen on Netflix and HBO. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCREENWRITERS FOR VERTICALS. I’ve got a former producing partner who’s very interested in the vertical space, and we’re looking to team up with a screenwriter who: Knows vertical-style storytelling. Has produced credits under their belt. Can collaborate. We've worked with SS writers before. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* FEATURE HORROR SCRIPTS WANTED. Vancouver production company seeking Canadian-based, non-union writers for feature-length horror. Women written stories strongly welcomed. Looking for original, character-driven, market-ready scripts (75–110 pages) in spaces such as psychological horror, supernatural, female-led horror, thrillers with horror elements, found footage, slasher, creature, or contained projects.

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SCRIPT ANALYST WANTED — PAID. I’m looking for a script analyst who has real experience breaking down scripts and providing development-focused, creative style notes. This job requires 10 pages of notes on a romantic comedy. I’ve already worked with three studio analysts on earlier drafts, all of whom were helpful. I’m now looking for an additional viewpoint to strengthen the project even further. Paid position. Must have experience. I work professionally as an Emmy award winning TV editor and sometime director (DGA) and have considerable amount of known credits. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SEEKING NEW FEATURE SCRIPTS: MOST GENRES WELCOMED. I am an independent film financier and executive producer looking for new feature projects to develop. I’m currently producing a horror thriller with Orwo Studios and lining up my next film. I’m especially drawn to (and only accepting these at the moment): period pieces, motorsport and racing, WWII, political thrillers, horror, mafia crime dramas, and action adventure or espionage stories. 

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* BASEBALL-THEMED SCREENPLAYS. 2 production companies collaborating are looking for original baseball themed screenplays for production consideration. We are especially drawn to stories that capture the spirit of The Goonies and The Sandlot, along with nostalgia, adventure, and genuine camaraderie. Scripts centered on youth baseball, friendship, and strong community dynamics are a priority. Material must be suitable for a wide audience. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* CRIME-DRAMA WRITERS. I am looking for writers for a tv show- crime/ drama. Please send rates, samples, and bio. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCREENWRITER FOR EDGY THRILLER. I’m an indie filmmaker based in Southeast Asia. My last short won the World Panorama Award in Italy, and my new feature is now in post with a BAFTA winning lead. I’m looking for a committed co writer to help develop a lean, edgy thriller set in Cambodia. You must be comfortable with dark themes, real microbudget filmmaking, and have visited Southeast Asia. Paid. I have hired a writer through SS before. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* CHILLING, BUDGET FRIENDLY SCRIPTS WANTED. An international studio is looking for original, concept driven horror and thriller feature scripts that can be made on a lean budget with minimal locations. This is a solid opportunity for emerging writers who know how to deliver original  ideas without relying on big sets. If you have a chilling story that fits these parameters, we would like to read it. Payment for script. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCI-FI OR FANTASY TV SCRIPTS. Looking for my next science fiction TV series to champion for Streamers and other major buyers. I am also open to projects that can expand into a feature franchise. I have strong private investor relationships in both film and television, and we are actively searching for that next breakout script. Fantasy is welcome as well, along with anything set in a bold, imaginative world. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* COMMERICAL SCRIPT WRITER NEEDED. Looking for a writer for a commercial-advertisement for a reputable brand. Looking for exceptional concepts. Decent budget. 

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* SCREENWRITER FOR ADAPTATION. Looking to partner with a screenwriter to adapt a recently optioned autobiography about a true American NASCAR stock car legend. The project is a period piece filled with flashbacks, set mainly in the mid 1980s and reaching back to the 1950s across the American heartland. The tone leans into Southern rock, with gas, grit, and faith at the core of the story. WGA scale upon production. AS is known for his work as an assistant director on major projects including Mr. and Mrs. Smith, The Usual Suspects, and many others. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* 1-2 LOCATION FEATURE SCRIPTS. We are looking for our next feature and are open to all genres, though our past projects have leaned toward horror. We’re aiming for scripts that can be shot in one or two locations and do not require special effects. We can't accept anything else.  SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SHORT SCRIPTS NEEDED. RBC is looking for seven strong short scripts to produce in May 2026. They need character-driven stories that run five to seven pages, feature three to four actors with balanced screen time, and can be shot in one or two locations on a limited budget. Genre is open as long as the concept is achievable. Ideal character ages are eighteen to twenty five. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCREENPLAY CONSULTANT NEEDED. Our company in Dallas is looking to commission a writer who is based in Texas or someone who has spent extensive time in the state. This project needs a writer who understands the region, the lifestyle, the slang, and the local rhythm of everyday speech. The work involves dialogue and plot editing. This is a paid job. Starts soon. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCREENWRITER FOR YEAR-LONG PROJECTS. RP is looking for writers to join their team for a year-long engagement, with exact dates adjusted as projects evolve and contracts are finalized. They’re offering is 5,000 per month, with the final amount based on your creative input and the stage of development. We make independent films. The role involves developing full film scripts from concept through completion, including plot work, character building, and dialogue. The ideal writer can originate ideas, shape projects that appeal to both creative and market needs, and work closely with directors and producers. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SHORT SCRIPT NEEDED. European filmmaker is looking for a comedy, romcom, or dramedy short for a film that will be submitted to festivals. Full IMDb credit and payment for script/writer. If you have something that fits, we’d love to take a look. No other genres or formats. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* FEMALE LED FEATURE COMEDY SCRIPT WANTED. We’re looking to fast tracking a new project into production and are looking for a completed comedy script with a strong female ensemble and great characters. Think along the lines of Bridesmaids, with humor rooted in real emotion. Budget open. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* EXEC ROLE FOR DOC STORYTELLERS. In partnership with Amazon Prime Video, is offering a step-up Executive Producer opportunity. This role suits a Junior Exec, Series Producer, or Series Editor ready to advance. Candidates should have a strong background in non scripted documentary work and a solid sense of story craft. The selected candidate will help shape unscripted documentary projects from development through delivery, guide narrative decisions, manage teams, support budget and schedule needs, ensure compliance, and work directly with commissioning editors. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCREENPLAYS THAT CAPTURE THE SPIRIT OF MINNESOTA. I am seeking feature length scripts to produce that embody Minnesota positively. I’d love to be Twin Cities focused but open to anything that represents MN in a good light! Send pitch decks/synopsis. Buyout. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCREENWRITER FOR SUREAL DRAMA. Looking for a screenwriter for The Photograph, a  surreal drama about memory and family. The story follows a woman unpacking her family’s past through one deeply personal conversation with her girlfriend. Seeking a writer with a strong ear for grounded, emotionally layered dialogue and a feel for nonlinear storytelling. Payment TBD. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* FOUND-FOOTAGE HORROR SCRIPT. I’m an award-winning director and producer looking to work with a writer who has a horror project suited for the found-footage style. I’m open to both short scripts (5–30 pages) and contained features (80–100 pages) that can be shot on a modest budget. I’m especially interested in stories that rely on practical effects, a small cast, and limited locations to build tension and authenticity. I’m based in Canada and can offer payment, though the budget is on the lower side. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCREENWRITER FOR WESTRN. Early-development feature God’s Country seeks a distinctive writer for a contained, female-led Western set on the Nebraska frontier in 1883. When her preacher husband departs, a repressed wife and her daughter are drawn to a mysterious stranger, awakening desire and betrayal. Tone evokes The Power of the Dog and The Beguiled. Produced by a USC Peter Stark alum and former Harvard Lampoon VP. Pay based on experience. Writers with festival or short film credits encouraged to apply. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* COMEDY FEATURE SCRIPTS WANTED. We are searching for completed feature comedies with a clear hook and strong character leads. Smart comedy, slapstick, or horror comedy are all welcome. It must be a comedy at its core. Fewer locations preferred. Please note any contest or festival placements in your email. Think the following: Game Night, The Nice Guys, Shaun of the Dead, Palm Springs, Hot Fuzz. Up to 4 million. Open to WGA and non WGA writers. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* VERTICAL SCREENWRITERS WANTED. WTPF is seeking freelance vertical writers and creative producers to develop short-form vertical stories for its micro drama division. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* NOIR/GRITTY SHORTS. Filmmaker looking to produce a low-budget short. Specifically Noir or something Gritty. Other types of styles won't be prioritized at the moment. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* LOW-BUDGET FEATURE WANTED. Atlanta-based filmmaker is looking for A low-budget script to produce ASAP. Horror and thriller are his favorites. Think Black Phone, but all genres are welcome if they can be made on a low budget. If the writer or story is set in Atlanta, even better. This is for VOD, think Tubi. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCREENWRITER FOR INDIE FILM. NYC Producer is hiring a screenwriter for Solace, an emotionally complex, character driven indie drama targeting a budget of two to two and a half million. This is a one off assignment, timing negotiable, with pay in the range of five to ten thousand dollars based on experience and credits. Duties include drafting an original feature from an existing treatment, close collaboration with the producer, remote meetings, a notes and revision process, and delivery of two to three polished drafts. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* DIRECTOR SEEKING NEXT FEATURE SCREENPLAY. Director looking for a simple, character driven script to follow his latest festival project. He’s drawn to stories with emotional honesty and  actor focused writing. Influences include Five Easy Pieces, The Last Picture Show, One Flew Over the Cuckoo’s Nest, Festen, Bicycle Thieves, and Paris, Texas. Scripts should be modest in scope but rich in insight and performance potential. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* SCRIPT READERS WANTED. NIS is hiring experienced script readers for scripted and non-scripted projects. Readers will assess scripts, treatments, and short synopses using the organization’s report template, with a five-day turnaround. Applicants must have at least two years of professional experience reading for production companies, financiers, distributors, or broadcasters, along with strong knowledge of the Irish film and television industry. Script editing experience and familiarity with Northern Ireland’s film and TV landscape are preferred. Paid position. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* COMEDY FEATURE SCREENWRITER WANTED. Confidential project. Looking for a skilled comedy writer to co-write a romantic comedy feature now in development. The project has an A-list actor and producer attached and is geared toward a studio-level release. Looking for writing that’s funny and honest, with real emotion behind the laughs. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

* HIRING: LA-BASED SCREENWRITER – 3-PART BIOPIC (PAID). We’re seeking an experienced Los Angeles-based screenwriter to rework Episode 2 of a 3-part biopic series, with each episode running about 60 minutes. Episodes 1 and 3 are complete, but Episode 2 needs significant rewriting to better align with the creative vision. The focus is a romantic storyline that requires emotional depth, honesty, and a touch of wit — not rom-com style, but genuine and grounded. Writers should have a strong grasp of character-driven drama and experience handling real-life subjects. Collaboration is key, as you’ll work closely with producers to ensure tone and story consistency across all episodes and respond to notes as needed. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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* HORROR SCRIPTS WANTED. Philly-based producer/director seeking a grounded horror or narrative feature to develop. Looking for contained stories, ideally one location, like a single house, with strong dialogue and atmosphere over effects. Prefer minimal VFX, few locations, and simple, achievable setups. Interested in suburban settings, memorable antagonists, occult or alien elements, and artist/musician characters. Stylistic influences include David Lynch and Ari Aster. Open to both complete and in-progress scripts, as well as short films and character-driven dramas. These are paid opportunities, either script purchases or paid writing assignments.  SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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HIGH-CONCEPT INVASION THRILLER. Producer/Director seeking a low-budget, high-concept home invasion thriller. Think Panic Room or Don’t Breathe. The script should take place in one primary location with only a few characters. The concept needs to be strong enough to drive the entire film: immediate, visual, and universal. The audience should understand the stakes within seconds. If you have a tight, marketable home invasion script that fits this model, send query letter/pitch materials. Payment for script. We have produced scripts through SS that are now on VOD. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER FOR PROJECT. Looking for a screenwriter for an estimated 3–6 month project, with potential to extend longer. Payment is negotiable. The initial task involves converting a completed 105-page Word script into Final Draft 13 format (around 115 pages). The role could expand depending on performance and fit. Applicants should submit a CV or résumé, LinkedIn profile (if available), and an estimated cost for the conversion. I have 40 years of part-time experience in film, currently working with a two-time Oscar winner and other top talent. I’m currently traveling and tied up with other projects, so I need someone to handle the Final Draft work professionally and efficiently.

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INVESTOR SEEKING ORIGINAL LOW-BUDGET PROJECTS WITH TRAILERS. I’m only interested in short or feature films that already have a trailer or teaser. I don’t consider projects that are still in earlier stages. I invest exclusively in low-budget features or short films that are original and truly impactful. If your project doesn’t meet those criteria, please don’t reach out. I’ve already received a wide range of proposals with varying budgets, and a few of them have really impressed me.​

 

FEATURE SCRIPTS THAN CAN BE FILMED IN ASIA ($2MM). We are looking for feature film scripts set anywhere in Asia that feature a strong Asian female lead. The production budget for each project will be capped at $2 million. We are accepting submissions in the thriller, action, and adventure genres only. Comparable films include The Villainess, Anna, and The Raid 2. Compensation to be determined. We have worked with Screenwriting Staffing writers before. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCREENWRITER TO ADAPT BOOK. NJP is looking to commission a playwright or screenwriter to adapt a book. Please send samples, just a few pages, as well as credentials. Company is based in London, but the writer can work remotely. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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DRAMDY SCREENWRITERS FOR SHOW ON VOD. Our show is currently streaming on VOD. Now hiring writers for our award-winning dramedy series. This grounded, conversation-starting series explores love, ego, and growth through a bold Black lens. A four-person writers’ room is being formed for a 4-week commitment that includes 4 Zoom sessions and 2 in-person sessions. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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NOW ACCEPTING SUBMISSIONS (TV & FILM). International company is now accepting feature and TV script submissions for development. We’re looking for features and TV pilots (30 or 60 minutes) in any genre, aimed at the Canadian market or suitable for international co-productions. Priority will be given to emerging writers, especially those unsigned or newly represented. We welcome feature scripts (90–120 pages), 1-hour pilots (45–63 pages), and half-hour pilots (22–30 pages).We’re especially drawn to character-driven stories with strong emotion, a unique hook, and clear audience appeal. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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COMEDY SHORT. South African Filmmaker based in Atlanta of multiple short films is seeking a new comedy short script to take to festivals. Must be under 5 pages, with limited characters and locations — ideal for a shoestring budget production. 

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SHORTS CENTERED ON MUSIC. Seeking short film scripts focused on a musician or singer (drama or romance only). Paid. Ns has worked with talent such as: Patrick Fabian, Emma Roberts, & Amir El-Masry. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SEEKING FAITH-BASED COMEDY FEATURE. We are seeking a Christian feature screenplay that can be produced for $500,000 or less. The story should lean toward comedy with faith-driven themes, ideally set in contained locations such as a church, small town, or single household. No animals or heavy production elements. The tone should blend humor with heartfelt Christian values, delivering light entertainment alongside meaningful uplift. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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EPISODIC SCREENWRITERS WANTED. We’re seeking writers for a new mobile-first platform specializing in serialized romance fiction. Stories are delivered in short, bingeable episodes (250–500 words) packed with cliffhangers, banter, and swoon-worthy drama. Writers should be able to create fast-paced, intimate mini-scenes that hook readers instantly. To be considered, submit a one-page concept with logline, key characters, and tropes, plus 5–7 sample episodes showcasing your voice and cliffhanger instincts. Scripts selected for launch will expand into full serialized stories (15–20K words). Flat fees range from $3,000 depending on placement. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

SCREENWRITER FOR SCRIPT. Seeking a writer to create 4–6 original monologues (30 seconds–2 minutes) for a 40-minute short film/music album. The project is personal and performance-driven with a dramatic, emotional tone; at least one live session to discuss story and style. Timeline is 1–2 weeks with revisions until final drafts are approved. This is a straightforward assignment. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

SCREENWRITER FOR VERTICAL DRAMAS. Seeking writers to craft original, genre-driven stories for short-form, serialized vertical video. Responsibilities include developing concepts, loglines, beat sheets, and 1–2 minute scripts with strong hooks, character momentum, and cliffhangers, while collaborating with editors to refine drafts. Note: this company is not a WGA signatory; WGA members should follow Guild rules. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.  

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ROMANTIC-COMEDY SCRIPTS. BWM is seeking original romantic comedy scripts designed for a younger audience. Only rom-com material will be reviewed for entertainment purposes. Writers with fantasy-driven rom-com scripts are especially encouraged to share their work. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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HIRING: WRITERS FOR TOP ANIMATED CHANNEL. A hit channel with 15M+ views per video, is seeking experienced writers to craft first-person teen and young adult narratives. This is remote, ongoing work with competitive per-script rates and long-term collaboration. Writers should have at least 2 years in screenwriting or digital content, a strong portfolio showcasing authentic dialogue and emotional storytelling, and the ability to deliver 2–4 scripts per month. Success in this role means turning real experiences into compelling 20+ minute scripts, nailing authentic youth voices, hooking viewers in the first 15 seconds, and understanding YouTube retention and engagement. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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CRIME OR MYSTERY FEATURE SCRIPTS. We’re seeking completed, feature-length crime or mystery scripts in the $1–2 million budget range. The project will be backed by multiple investors currently in place. We’re especially interested in material that is smart, character-driven, and commercially viable within the moderate-budget indie space. Think Brick (stylized mystery that proved high concept can thrive on a modest budget) and Blue Ruin (low-to-mid budget thriller with festival/critical acclaim and strong distribution). SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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FEMALE-LED COMEDY NEEDS WRITER. We’re fast-tracking a project into production and need a writer for immediate revisions. The script is a female ensemble with comedy  and layered subtext. While we’re open to all writers, we’re especially interested in female writers who can bring authenticity to the voices and humor. Prior experience and credits are required. Compensation will be discussed. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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MICRO-DRAMA SCREENWRITERS WANTED. NS seeks vertical screenwriters. We create short-form, cinematic stories for a mobile-first audience. Paid. With views ranging from 100K to millions, this can add up quickly, no other streamer offers this. Stories should feature a clear character arc and include a positive social element (e.g., rescue animals, Red Cross, foster care, community work). SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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CALL FOR SCREENPLAYS & SCREENWRITERS. Our company is developing a slate of ultra low budget projects and looking for screenplays from emerging writers. This is a chance to have your work produced and distributed, as we just did (distribution just announced in Deadline) and another film starring Dermot Mulroney. We are most interested in contained horror, thriller, and sci fi ideas with strong hooks, small casts (2–5 leads), and real world locations. Think Paranormal Activity, Coherence, or It’s What’s Inside. We also welcome writers who want to join us early in the process to shape new ideas for the ULB model. Both produced and unproduced writers are encouraged to submit, WGA or non WGA, from North America or abroad. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SCRIPT EDITOR FOR MAJOR TV SERIES. Emmy award-winning production company is hiring a Script Editor or Script Executive for a major TV drama series, based in London or Cardiff, with relocation to Cardiff during production. The role runs now through Q3 2026 and involves supporting writers and producers with script development, research, notes, proofreading, issuing amendments, and liaising with departments and partners. The Script Executive takes on senior duties, including overseeing schedules, developing strong relationships with writers, and providing high-level creative input. Applicants should have prior experience in scripted development or production, be passionate about drama, and be available for the full production period. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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UNSETTLING HORROR FEATURE SCRIPTS. International company searching for their next spine-chilling horror feature script. Pure horror: relentless, unsettling, and designed to keep you on the edge of your seat. Payment TBD.  SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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VERTICAL DRAMA WRITERS, NON UNION. We’re looking for experienced writers to craft vertical drama projects. These are fast-paced, short-form episodes (1–1.5 minutes each) designed to hook viewers with strong characters, cliffhanger arcs, and visual-first storytelling. Writers should have proven experience in serialized drama, a solid grasp of episodic structure, and the ability to deliver under deadlines while collaborating with producers. Prior work in mobile-first or short-form platforms is preferred, and an interest in romance is a plus. This is a freelance, non-union opportunity with competitive pay.

 

DRAMADY SCRIPTS - FILM/TV. I’m currently seeking scripts or concepts for potential future movies or TV shows that fall under the dramady genre. No other genres.. These will be presented to Ukrainian producers. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

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SEEKING FEATURE SCRIPT ABOUT A REFORMED INMATE. We are looking for a feature screenplay centered on the story of a reformed inmate. A male actor (B-list) is already attached for the lead role, and he can convincingly portray a character aged 24 to early 40s. Budget is open. We are accepting submissions from both WGA and non-WGA writers. Preferred genres are drama, though we will also consider edgy comedy and suspense. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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ULB HORROR FEATURE SCRIPT. I’m a produced filmmaker looking to step into the horror genre and am seeking an ultra-low budget feature screenplay with a very limited cast and contained locations. Ideally, the story would work with one to three characters and simple settings such as a house or accessible public spaces. I’m open to a range of horror subgenres, including experimental and atmospheric pieces, as long as they can be produced on a minimal scale. Reasonable payment for script.  SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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FEATURE SCRIPTS IN SPANISH. If you have a small cast, 2-3 locations low budget feature Spanish script, we are looking for your stories; we'd love to see the longlines and synopsis. We will be shooting it in Spain near Madrid. Excellent actors in the area but only Spanish-speaking. Director is Mexican from LA. We have worked with SS writers before. Payment for chosen script. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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COMEDY SITCOM SCREENWRITERS WANTED.  Award-winning company is on the hunt for funny voices (screenwriters) across film and TV — especially those with a Welsh connection or based in Wales. Whether it’s sitcom, sketch or dramedy. Please send samples and experience. PAID. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SCREENWRITER FOR FILM, TV & DIGITAL – REMOTE. We are an international entertainment company looking for a talented screenwriter to join our team on a paid, remote basis. The ideal candidate will have strong English skills (B2+ or higher), practical experience writing scripts for film, television, shows, or digital platforms, and a solid understanding of long-form story structure. Creativity and strong communication skills are essential. Our projects reach audiences worldwide across film, streaming, and immersive audio content, offering the opportunity to contribute to stories seen and heard by millions. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.
 

ISO COMPLETED MICRODRAMAS. I am an Emmy-Nominated Director. Do you have a completed microdrama ready? I may have a buyer interested in licensing one. The work must be in English, fully rights cleared, and preferably unreleased. It has to be written and designed as a microdrama, not a feature that’s been cut down. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SCREENWRITER - INTERACTIVE FILM. Seeking a screenwriter for a one-week remote contract (Paid) to co-write a short interactive film scene set in 19th-century France, focused on Autism, PTSD, and Schizophrenia. Work includes a 10-minute pitch script, choice prompts, and cutscene pages. Experience with branching narratives, strong samples, and sensitivity to mental health are key; French reading skills a plus. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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DRAMA-ORIENTED SHORT SCRIPTS. Genre wanted: Drama, with minimal frills and little to no action. Ideally in a rural area Scripts must be copyrighted and run no longer than 30 minutes. Paid. Submissions should be original, unproduced, and not under consideration elsewhere. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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PACKAGED FEATURE SCRIPTS, BUDGET OPEN. Award-winning, UK-based production company is expanding our feature slate and teaming up with a strong group of producers and investors to bring new projects to life. We’re looking for three standout, fully packaged scripts to join us. All genres are welcome, but the writing must be exceptional. Projects may already have funding or still be in the financing stage. To be considered, you must have a polished feature-length script, a compelling pitch deck, and a budget breakdown with production schedule (preliminary is fine). SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SCREENWRITER JOB - REMOTE. Contract/Part-time with potential to grow full-time. We create cinematic stories with real craft and innovation. We’re seeking a writer who can turn bold ideas into tight, emotional scripts across genres—horror, thriller, drama, action—and collaborate with directors, producers, and engineers in a film pipeline. You’ll draft scripts and treatments for shorts, trailers, and immersive experiences. Strong samples (produced or spec), solid structure, and an interest in AI tools are required. Bonus if you’ve written trailers or understand production flow. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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AWARD-WINNING FEATURE SCRIPTS. I am seeking screenwriters with action, horror, or thriller screenplays that have won awards. If the actual script itself has received recognition, even better.  CSP has produced movies starring, James Caan, Jon Voight, and more. No other genres. Budget open. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SCI-FI GHOSTWRITER WANTED. I’m seeking a ghostwriter for a feature-length sci-fi drama with philosophical and humanistic themes. This is a work-for-hire role (all rights remain with me). You’ll collaborate with me via regular video calls, turning my notes and outlines into a polished screenplay in industry format. Applicants should be native English speakers with feature screenwriting experience and samples. Interest in sci-fi or philosophy is a plus. Competitive, milestone-based pay. Please send a brief intro, writing samples, availability, and proposed rate. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

DRAMA SCREENWRITER NEEDED. I’m a filmmaker/actress based in New York City developing a couple of short films (7–15 minutes) to submit to festivals. I’m looking for a screenwriter to collaborate with me on shaping these into strong, character-driven scripts. One project is set in a Manhattan apartment with a terrace that serves as the story’s central backdrop. I’d love to work with someone experienced in writing festival-ready shorts who can bring engaging dialogue, layered characters, and creative ideas to a limited runtime. The production budget is $5,000–$7,000, with writer compensation to be determined based on experience. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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FAITH-BASED LOW BUDGET FEATURE SCRIPT. We are looking for faith-based feature scripts designed for a low-budget production. Ideally the script place in one primary location (two at most), with a tiny cast, minimal or no special effects, and limited background actors. This streamlined setup should allow the story and characters to drive the narrative. JB is an award-winning industry pro who has established herself in the film and television industry with over 100 credits to her name. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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CHARACTER-DRIVEN SHORT. I’m a Manchester-based brand marketing video director with a background in short filmmaking. After several years working in the commercial sector, I’m eager to return to narrative work and create another short. I’m looking for a script with a poignant, character-driven story, something intimate that can be told with minimal locations. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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HEAD TV WRITER (LAS VEGAS, NV, WITH RELOCATION SUPPORT). A leading digital studio behind one of YouTube’s biggest series—boasting billions of views and tens of millions of subscribers—is seeking a Head Writer to oversee the storytelling of its flagship action-comedy franchise. This position centers on crafting dynamic scripts, shaping ongoing narratives, and guiding a team of creatives to deliver multiple weekly episodes to a massive global audience. The studio offers competitive pay, health/vision/dental benefits, PTO, 401(k) with match, and full relocation support.  SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

 

​SCI-FI FEATURES, FEMALE LEAD. Our production team is currently seeking a standout sci-fi feature for consideration. While our priority is on contained, budget-conscious projects that can be produced for under $1M, we are also open to exploring larger-scale concepts—provided the story has strong commercial potential and centers on a compelling, complex female lead. Scripts should favor character, theme, and tension over heavy spectacle, with contained or easily managed locations preferred. Comparable titles include Coherence (2013) and Another Earth (2011). SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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NOW ACCEPTING FEATURE SCRIPTS. FS is expanding into features and inviting original, copyrighted scripts from writers and writer-directors. Any genre is welcome, but the story must be producible in India, with strong characters and fresh, original concepts (no generic or overused ideas). Scripts must be in English. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SCREENWRITING PROFESSOR. Film school (in Los Angeles) seeks a Clinical Assistant Professor (non-tenure track) in Screenwriting, starting August 15, 2026. Applicants should have industry credits, a BA (MFA preferred), and at least three years of teaching experience. The role includes teaching feature development, writing courses, and one-hour TV formats, with openness to new storytelling platforms. Competitive salary and benefits provided. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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CANADIAN TV WRITER. I'm looking for a lead writer for a TV show currently in development. Non-union and paid. This is not remote. Show based in Toronto. If interested, please email CV/portfolio and rates. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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TV COMEDY WRITERS WANTED. Manager seeking experienced TV comedy writers. Must have current, verifiable comedy writing credits. No exceptions. More details will be provided if the writer meets the qualifications. This is a paid assignment. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SEEKING ROMANCE SCREENWRITER FOR HIRE. We are looking for an experienced romance screenwriter with produced feature credits or network writers’ room experience. This is a paid assignment. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SEEKING HORROR, HORROR-COMEDY & PSYCHOLOGICAL HORROR FEATURES. Our production company is actively searching for horror features in the vein of Creep and Hell House. We are open to psychological horror, horror-comedy, and projects with gore, as long as they remain sharp, unsettling, and impactful. Budget cap: $10M. This is a paid opportunity. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SHORT SCRIPTS WANTED. I am seeking short scripts in the 3–5 minute range to produce and direct, preferably in the drama, thriller, comedy, or psychological genres. I’m not looking for supernatural or horror material. The shorter and more impactful the script, the better. Projects should be simple to execute—without heavy logistics or resource demands—so costs remain efficient and allow me to produce multiple films.

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WANTED: SPY-THRILLER SCRIPT DOCTOR. We’re developing a WWII spy thriller feature for the UK/global market, adapted from a book by a brilliant but non-English-speaking author. Right now, we’ve got a smart but messy “literary script,” full of history and intrigue, but not yet cinematic. We need a sharp, creative screenwriter/script editor who can reshape it for a British audience. Someone witty, puzzle-loving, and fluent in spy-thriller action. The job is to take what’s there and turn it into a fast, authentic, and emotionally charged feature that will hit with younger audiences (17–22). UK-based preferred, but remote may work. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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TV RESEARCHER WANTED. CRP is seeking a Researcher for a crime documentary series this September/October. Crime doc experience is a plus, but all researcher backgrounds will be considered. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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LOOKING FOR THRILLERS THAT MAXIMIZE REMOTE LANDSCAPES. I’m a New York–based Director of Post Production with two potential funding sources for a feature film in Portugal that I would produce. We’re seeking horror or thriller scripts (open to other genres if they’re equally thrilling) between 90–120 pages, with a budget up to $5M. The story should be set in rural areas—Alentejo or similar regions are ideal—as funding is easier if the setting is outside cities. Compensation is negotiable. We have access to over 500 hectares of private land that includes rivers, lakes, mountains, abandoned villages, medieval walkways, and dolmens, as well as medieval churches and historic villages​. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

​CONTAINED HORROR-THRILLER FEATURES. We’re looking for contained thriller or horror scripts with no blood or explosions, that can be filmed in a single location with a small cast. The setting will be a modern London office, a large space with a 360-degree skyline view, smaller rooms, and two distinctive areas that can be used throughout the story. Feature-length scripts only. We currently have projects with the BBC. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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TV SHOW GAME WRITERS. Remote. September to mid-October. PAID: Industry standard, non-union TV game show seeks funny, experienced Question Writers to join the team. Writers will craft engaging, pop-culture-savvy questions under the Head Writer and Senior Producers. Prior experience writing for game shows or trivia, plus strong research and fact-checking skills, required. I have Produced, Line Produced, and Production Managed for Amazon, Netflix, National Geographic UK, Discovery, CBC, CTV, A&E, HGTV, OWN, and more.  SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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MICRO-BUDGET SCRIPTS WANTED. Texas-based filmmaker seeking short film scripts of any genre to produce and direct. Features only on exception. Micro budget financing available. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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DRAMA SCREENWRITERS. We need screenwriters with experience writing short dramas for apps such as ReelShort, ShortMax, Dramabox etc. Only apply if you've got experience writing for the short drama format (1-2 minute episodes). Payment will be discussed later. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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CONTENT & SOCIAL STORYTELLING MANAGER. Major network is is seeking a Manager of Social Programming for a leading Gen-Z sports media brand with over 100M followers. The role involves managing a team of social programmers, developing and executing platform strategies (IG, TikTok, YouTube), curating engaging content, and collaborating with creators, leagues, and brands. Candidates should have 5+ years of social media experience, expertise in scaling content for major platforms, managing creative teams, and spotting emerging trends—especially in basketball culture. This position requires creativity, leadership, and the ability to thrive in a fast-paced, live sports environment. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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GROUNDED, ORGINAL SCI-FI FEATURE SCRIPT. Looking for a well-crafted sci-fi story with grounded characters and strong worldbuilding. Think Children of Men, Gattaca, 

Moon, or The Martian. One submission per member. WGA pay. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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HIRING A SCRIPT PROOFREADER. International company is seeking a detail-focused script proofreader to review 6–8 scripts a week for clarity, structure, and dialogue/voice. The role requires spotting AI-generated or inconsistent writing and suggesting improvements. Applicants must be native English speakers with a background in proofreading, editing, or screenwriting (YouTube experience a plus) and possess a strong eye for detail and storytelling flow. Pay is around $1,500 per month. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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ANIMATION TELEVISION WRITERS FOR LARGE NETWORK. We’re looking for creative, original writers to join our network; writers who can bring fresh ideas to our hit animated franchises across Cartoon Network, Pogo, and more. A background in fiction or scripted content is needed. Animation writing experience is a HUGE plus. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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EXPERIENCED COMEDY SCRIPT WRITER ONLY. Currently creative producing a major ad campaign featuring a huge A-list celebrity and looking to bring on an experienced comedy writer for a digital commercial spot. Ideally someone with a strong background writing for top-tier talent or major comedy platforms (think SNL, late-night, branded sketches, or commercial campaigns). This is a paid opportunity, but currently just looking to put the right talent in front of the client. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SEEKING SPAIN-SET SCRIPTS. At this time, we are only considering scripts that are specifically set in Spain; stories that are authentically rooted in Spanish locations, culture, or context. We are not looking for scripts that can simply be relocated or adapted to Spain. If your project was originally written with Spain as the setting, please feel free to send over the pitch deck. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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WANTED: ROBBERY GONE WRONG – COMEDY STYLE (FEATURE/PILOT). We’re working with an investor who owns an old bank building, fully approved for redevelopment (gas station, office, etc.). They’re looking to greenlight a comedy robbery script, something fun and chaotic where a heist goes hilariously wrong. Think Set It Off meets Bridesmaids, or The Town with a punchline. Female leads are a plus, but all great concepts will be considered. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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UK STUDIO LOOKING FOR FEATURES. A successful UK-based film production studio led by a seasoned producer and creative director, is expanding its slate. We are actively seeking feature-length screenplays and writer collaborations in the horror, thriller, and supernatural genres. If you have strong material in these areas and are interested in working with an established studio, we welcome conversations and Zoom meetings. Budget open. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

 

PART-TIME SCREENWRITING INSTRUCTOR NEEDED. Institute is hiring experienced professionals to teach screenwriting and the marketing of narrative scripts. This role involves classroom or online instruction, with a focus on helping students build skills in both writing and navigating the business. Must have credits on produced work that received major distribution or recognition. Industry experience preferred. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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NOW HIRING: MICRODRAMA WRITER: We're looking for a skilled script writers to craft binge-worthy, short-form scripts for a major OTT platform. If you’ve written micro-dramas or digital-first content and know what keeps viewers hooked—let’s talk. Great pay. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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* SHOW WRITER (SEASONAL) FOR MAJOR ENTERTAINTMENT COMPANY. A major network is seeking a talented Show Writer to join its award-winning live entertainment division on a temporary/seasonal basis. This is a rare chance to work alongside some of the most creative minds in the industry—helping bring beloved stories and brand-new concepts to life through immersive experiences, shows, and large-scale events. Ideal candidates will have a strong grasp of narrative structure, character voice, and theatrical pacing, and thrive in a collaborative environment. Writers should be open to contributing across a wide variety of formats. This position offers a competitive pay rate of $61.50, + amazing perks. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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* ROMANCE-THRILLER FEATURE SCRIPT. I'm an independent filmmaker recently approved for financing from a team based in both Chicago and Los Angeles. I'm now looking for a romance-thriller script to take into development, aiming to shoot in Summer 2026. A B-list actress is already attached, so the lead or a major supporting role must be written for a woman aged 25–40. Think Nocturnal Animals in tone and style. WGA rates will be honored. Budget for film between 1-5M. I’ve worked in film production for over 20 years, including credits on The Bridge of San Luis Rey starring Robert De Niro. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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* WOMEN-CENTRIC DAILY SOAPS WANTED - VERTICAL SERIES. International company with headquarters in Asa is currently seeking ready-to-go scripts in the following categories: vertical micro-dramas (Suspense, Drama, Thriller) with strong hooks and twists; a women-centric daily soap; and an inspirational story in the vein of 12th Fail. No other genres. Only original stories will be considered. Payment for script. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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* CHRISTIAN FEATURE SCRIPTS. Dallas-based producer/director looking to connect with Christian screenwriters who have original scripts—preferably features—that include Christian characters and themes but aren’t overly sweet or preachy. Think bold, honest, and a little edgy. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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* DRAMATIC, SUREAL SHORTS. Seeking a short film script (4–8 pages) for a project to be shot in the UK. Open to all genres, but especially drawn to moody, dramatic, or surreal stories that can be filmed with minimal locations, props. Low budget production, but writer compensation negotiable. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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* CALL FOR WRITERS WITH DRAMA FEATURE SCRIPTS. A UK-based production company is currently accepting short and feature-length screenplays for possible production in 2026. They’re looking for grounded, character-driven dramas—gritty coming-of-age stories, kitchen-sink realism, and working-class narratives that capture the raw chaos and quiet beauty of real life. Shorts should be no more than 20 pages; features up to 105 pages. Writers are invited to submit a logline and synopsis for consideration. Open to international talent. Selected scripts will move into development. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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* SCREENWRITERS WANTED - FEATURE FILMS & YOUTUBE SERIES.  International company is looking for passionate, imaginative writers to join our team for upcoming feature films and YouTube web series. Whether you’re a seasoned storyteller or just getting started, we welcome fresh ideas and unique voices. You’ll help create original scripts, develop story concepts, and collaborate closely with directors and producers across a variety of genres. Deadline July 30th.

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* NON-UNION SCREENWRITER NEEDED. Ireland-based filmmaker is seeking non-union screenwriter for a low budget film. Paid. Remote is fine; those in Ireland are encouraged to apply. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.​

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* MICRO DRAMA SCREENWRITERS. Looking for writers who can craft tight, emotional, and clever micro dramas; think 60 to 90 seconds per episode. If you know how to hook people fast, build tension quick, and land a solid punchline or emotional beat, hit us up. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

* SCI-FI FEATURE FROM PRODUCED SCREENWRITER. A Canada-based film team is currently seeking sharp, contained sci-fi feature scripts from produced screenwriters. At this time, we’re only considering submissions from writers with produced credits. If you’ve also got a pitch deck ready to go, even better. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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* MADE-FOR-TV SET IN SCHOOL SCRIPTS. Our team and partners are seeking a made-for-tv high school or college scripts. Think High School Musical on a moderate budget. Genres accepted: Light Comedy, Romance, Heartwarming Romance. Payment negotiated. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SCREENWRITER FOR PIRATE SCRIPT. We’re looking for a screenwriter to help co-write a 10 to 15-page proof-of-concept short, a fun, fast-paced pirate adventure, think Pirates of the Caribbean meets indie grit. We’re set to shoot this September in France — sword fights are already choreographed and ready to go. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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CHRISTIAN SCRIPTS. Studio is seeking low-budget Christian scripts/stories (features and shorts) to take into production. No other genre or budget. Their last film is currently on VOD. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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THRILLER/HORROR SHORT. I'm currently looking for a short film script to produce/direct this fall. I'd love something in the horror/psychological thriller genre, ideally centered around themes of grief, but open to other themes if they are a good fit. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

 

​FAITH-BASED/FAMILY FEATURE SCRIPT. We’re an independent film team based in Southern California looking for a faith-based or family-oriented feature screenplay for production, ideally to shoot in Texas over a 3-week period. We're seeking a character-driven story with heart—something uplifting, redemptive, or inspiring—with minimal locations and a 70–90 minute runtime. The script should be ready-to-shoot or close to it. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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COMPLETED SCI-FI FEATURE SCRIPTS. A UK production company is currently looking for completed feature-length sci-fi screenplays with a strong emphasis on grounded, character-driven storytelling. We're specifically interested in stories that blend fantastical or speculative elements with realistic settings and emotionally resonant human experiences. While high-concept is welcome, scripts should prioritize character depth and thematic substance over action-heavy spectacle. All scripts must be set in the UK or adaptable for filming in the region. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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FEMALE LEAD LOW BUDGET SHORT. I’m a filmmaker currently studying film in Prague. I’ll be back home in California for a bit and I’m looking for a short film script to shoot while I’m there. I’m looking for a low-budget short with a hopeful tone and a strong female protagonist. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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FREELANCE SCREENWRITER. MTU seeks a freelance screenwriter with VR storytelling experience for a new simulation promoting character development through immersive, interactive narratives. You'll work with a team of educators, psychologists, and designers to create engaging content focused on empathy, ethics, and humility. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SCREENWRITER FOR ROMANCE. We are seeking a screenwriter who has had at least 2 romance features produced to rewrite a romance set in Central California. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.  

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SCREENPLAY EDITOR. Looking for a sharp, honest screenplay editor for a short film shooting end of August. It’s a grounded, romantic coming-of-age story set in post-war Kitchener — think 1940s nostalgia, emotional depth, and a touch of magical realism. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.  

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SCRIPTS SET IN A CAR. Seeking a feature script set mainly in a car. Think Vanishing Point. We only want comedy, thriller, or adventure. No horror or romance. More details will be given if we request the script. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.  

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COMEDY TV OR FILM SCRIPTS. Known filmmaker currently seeking scripts or concepts for potential future movies or TV shows. These will be presented to European investors and producers, so I’m open to all genres—as long as the stories do not involve death, murder, or horror. Comedy is our top preference. Payment is negotiable. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.  

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COMEDY SERIES WRITER. We’re currently seeking a co-writer for a PG-13 teen-focused web series, ideally based in the ATOM region (Arkansas, Texas, Oklahoma, Missouri—Oklahoma preferred). This is a paid opportunity, offering between $2,000 and $2,500. Writers should submit original pilots, spec scripts, or short scripts in the comedy, kids and family, or action/adventure genres—no features, please. We're looking for someone with a strong voice and collaborative spirit who’s excited to help develop and shape a youth-centered series. SIGN UP FOR PREMIUM FOR DIRECT CONTACT. 

 

SEEKING SHORT DRAMA OR PSYCHOLOGICAL THRILLER SCRIPT. I'm seeking a short script in the 25–30 page range. Open only to drama or psychological thriller genres. Please do not submit anything else. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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GROUNDED ROMANTIC COMEDY FEATURE SCREENPLAY. Seeking a grounded, elevated comedy feature—something tonally aligned with Nobody Wants This. Looking for writers who excel in romantic comedies with smart, witty dialogue and strong character work that could attract notable talent. The storyline can be flexible, but nothing too edgy or polarizing, as the film is backed by an arts grant in a conservative Midwestern town. PAID. Non-WGA writers only. SAG. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.​​

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SEEKING EXCEPTIONAL HIGH-CONCEPT HORROR/THRILLER FEATURE. I’m looking for the scariest horror/thriller script in existence—something truly high concept. Think Us, A Quiet Place, Smile, Escape Room, The Purge. It must have a clear and unique premise, not a rehash of what we’ve already seen. No slashers. No clichés. This needs to be bold, fresh, and undeniably original. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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MONSTER-HORROR FEATURE SCRIPT. We previously looked for the right monster-driven horror script (6 months ago) but didn’t find what we needed—so we’re opening it back up. We’re after something gritty, atmospheric, and truly unsettling, in the spirit of The Ritual or Antlers. Scripts set in a forest or remote area are ideal. Budget won’t exceed $1M. Paid opportunity. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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SCREENWRITER FOR UPLIFTING DRAMA. Production company is developing a feature slated for winter production (Toronto/GTA). We're seeking a screenwriter for a coming-of-age, family drama with a diverse cast—South Asian background a plus. Applicants from Canada encouraged to apply, but we’re open to remote writers. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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HIRING: SCREENWRITING INSTRUCTOR. We're hiring a Screenwriting Instructor for a 2-week summer course in San Antonio, TX, June 9–20, 2025. PAID. You'll guide high school students through writing short films, covering story structure, character, and formatting. Must have screenwriting or film experience, and ideally some teaching or mentorship background. Great for someone who loves storytelling and working with teens. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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PRODUCED SCI-FI SCREENWRITER. We're seeking a screenwriter with produced 

experience in sci-fi or mysticism to co-write a sci-fi feature. The story centers on a gritty, justice-driven hero with a sharp edge and dry wit. Paid. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.

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TV WRITERS WANTED FOR EUROPEAN SERIES DEVELOPMENT. War Room Content is selecting up to 10 European writers to join an international TV development initiative. Writers will work alongside investigative journalists and civil society experts to create grounded, globally resonant scripted series. Writers' rooms will produce a series bible and pilot episode, with the potential to expand IP into other formats. Must have at least one produced TV series and strong English skills. SIGN UP FOR PREMIUM FOR DIRECT CONTACT.